Baths

Will Wiesenfeld’s musical history began learning to play the piano at his own insistence to compete with his brother aged four. Despite giving up the piano, Wiesenfeld didn’t give up on music and had begun experimenting with electronic means of music production by his teenage years. Then one day after discovering Björk’s music for the first time, the musician toyed with a layering production style and taught himself the guitar, contrabass and viola. The result of this ambient experimentation was Wiesenfeld’s debut project [Post-Faetus], which produced the albums “The Fabric” and “Proximity One: Narrative of a City”. Following this Wiesenfeld focused his attention on the more ambient aesthetic of his music, and began releasing tracks under the moniker Geotic.

Baths was born in 2007, however it wasn’t until 2010 with the release of his debut album “Cerulean” that Wiesenfeld starting gaining critical reception . Issued by Anticon Records, the album earned positive reviews from Pitchfork Media and Drowned in Sound and spawned the single “The Nothing”. A year later Baths released the compilation “Pop Music/False B-Sides” before making appearances on songs by Daedelus, Dntel, Nobody, and Flying Lotus. Baths’ second full-length album “Obsidian” was issued by Anticon in May 2013. The album once again won the hearts of critics and fans alike, cementing Wiesenfeld’s position as a talented and respected electronic artist. The EP “Ocean Death” followed in May 2014, which Baths premiered at a show in Hong Kong.