Concert in your area for Rock and Indie & Alt.
Find out more about Rock.
Prior to the earliest incarnation of The Get Up Kids, members Ryan Pope, Rob Pope and Jim Septic had been in a band entitled Kingpin, and Matt Pryor had been frontman in the band the Secret Decoder Ring. After the disbandment of both, The Get Up Kids were formed with Pryor on guitar and lead vocals, Septic on guitar, Rob Pope on bass, and Ryan Pope on drums. The band’s debut release was a 7-inch entitled “Shortly/The Breathing Method”, and before long The Get Up Kids became staples in the underground Midwestern music scene alongside Rocket Fuel Is The Key and Braid.
The Get Up Kids subsequently released the single “A Newfound Interest in Massachusetts”, and the EP “Woodson”. With the success of the releases, the label Doghouse signed the band for a two-album contract, the result of which was “Four Minute Mile” released in 1997. The release and subsequent tour sent ripples across the U.S. and The Get Up Kids signed a new record deal with Los Angeles-based Vagrant Records. In a collaboration with the band Coalesce’s drummer James Dewees, Matt Pryor and Rob Pope released the album “Greatest Hits 1984-1987” under the moniker Reggie and the Full Effect, before returning to the studio as The Get Up Kids.
“Red Letter Day”, a five-track EP arrived in 1998, followed by the band’s genre-defining sophomore album “Something to Write Home About”. Released on Vagrant records, the album propelled the emo genre into the mainstream, and influenced countless bands that would succeed them – with its carefully crafted melodic and introspective energy.
After releasing the album “Endora” featuring previously released material, and touring alongside the likes of Green Day, Hot Rod Circuit and Weezer, The Get Up Kids, released their third full length “On a Wire”. The album was far more minimalist than its predecessor and took the emo genre in a new and sombre direction. Followed by “Guilt Show” in 2004, and a live album “Live @ Granada Theatre” in 2005, the band decided to call it a day and played their last show at their hometown’s Uptown Theatre in July 2005. The Get Up Kids returned in 2009 to marked the 10 year anniversary of “Something to Write Home About”, and subsequently released the EP “Simple Science” and the full-length “There Are Rules”.
Frank Turner has an innovative way of blending the genres of folk, punk and rock with his intelligent lyrics to create quietly anthemic music. Often described as a social commentator, the Bahrain born, Meonstoke raised songwriter released his first album 'Sleep Is for the Week' in 2007 which was received well critically. 'Love Ire & Song' came in the following year and made Turner's first dent in the UK album charts, his reputation was growing quickly as his tours began to sell out by his loyal fan base. He supported The Offspring and The Gaslight Anthem on tours which developed his reputation further.
The next album 'Poetry of the Deed' debuted within the UK top 40 thanks to support from the likes of Kerrang and Q Magazine. This album gained him a nomination for an NME Award in the Best Solo Artist category. He became a regular on the festival circuit, playing Two Thousand Trees, Reading & Leeds and Cambridge Folk to support the release of 2011 album 'England Keep My Bones'. He won two AIM awards in the same year for Best Live Act and Hardest Working Artist.
In 2012 Frank and his support band The Sleeping Souls were personally invited as the warm up act to the London 2012 Olympics Opening Ceremony where they played 'Sailor's Boots' 'Wessex Boy' and 'I Still Believe'. His biggest commercial album to date was released in 2013 and was titled 'Tape Deck Heart', it debuted in the UK at #2 and holds a MetaCritic score of 78/100. It also featured a hit single of sorts in 'The Way I Tend To Be' which became Turner's second ever appearance on the UK singles chart.
The Get Up Kids were one of the first bands to ascend to the mainstream on the back of the burgeoning Emo scene and despite temporarily splitting up in 2005, since 2008 they’ve been back together and making new music unlike the majority of their contemporaries. While to the layman Emo music might seem best fitted to long dark nights of the soul in one’s bedroom, Matt Prior’s mob were always at their best when heard live. With his signature howl and their mix of lacerating guitar riffs with New-Wave indebted keyboard s, this is music that’s well and truly alive. It’s infused with enough soul and passion to power a train and it only gets more vital when it’s performed live. Not many artists play music that has truly inspired people and made them the best that they can be, and the band in turn is pushed to greater heights than they could ever get without them with every live show. Emo rock began here, and it evolved and mutated to the extent where every major rock movement of the past 15 years has an element of it within its very DNA. With that in mind, I urge you to see one of the most quietly influential bands of the 21st century the next chance you can get, you will not regret it.
Wonderful, wonderful gig in Barcelona tonight.
Go see them, it's a great night. Best gig in ages.
Violin, trumpet, drums, bass, guitar, vocals...
Great songs, great atmosphere, great band.. enjoy!!!
True excellence in foot stomping and hollering. Konrad Wert is a whirlwind of kinetic energy and genius on the fiddle, banjo, guitar, and stompbox. Go to the show: you will be happy you did.
The truly unique feeling about a Frank Turner gig is the feeling of community that comes with every single one of them. Frank's mission statement is to make his every show a place where everyone is an equal, where he himself is on the same footing as everyone in the audience, both united in their love of rock & roll and singing it at the top of their lungs.
He's also confident that at least half of the multitude of people who come to see him play the O2 Arena, or Wembley Arena or any of the enormodomes he currently slays on his home turf, have also seen him play in a room that holds under a hundred people.
At least half of them care enough about his music and what he represents to see him in any and every environment they can, be it the back room of a pub, a cavernous arena, a sodden festival field and everything in between. And at 1577 shows and counting Frank knows how to utterly slay any audience in he finds himself in front of.
Frank may not be reinventing the wheel with his brand of quintessentially British folk rock but it's nothing if not passionate, intelligent and emotionally honest. That passion is reflected in everything about his concerts from Frank and his backing band the Sleeping Souls to the love that comes from his audience, and for that reason a Frank Turner concert is a truly inspiring, humbling and life-affirming thing to be a part of.