Originally formed under the name U.K Subversives, lead singer Charlie Harper wanted his band to bridge a divide that Harper felt shouldn’t be there. A rhythm & blues blues singer by trade, he nonetheless felt a strong kinship with the up and coming punk rock movement. In his mind, it shared too many similarities with the thriving, blues influenced pub-rock scene to be separate from it. So in 1976, he put together the first line-up of what would later become the U.K Subs to act as a bridge between the two scenes. Despite the line-up of the band changing frequently at first, the band scored their first session on Radio 1 legend John Peel’s radio show in 1977, and would go on to have several more in the next two years. These sessions were vital to the success of the band, and as a direct result of them they scored a record deal with GEM Records in 1979.
They released their debut album “Another Kind Of Blues” the very same year, and both the album and its lead single “Stranglehold” were top 30 hits on the albums and singles charts. Between 79’ and 81’ the band were hailed as one of the last true punk bands to see mainstream success, with their 1980 album “Crash Course” rocketing into the top ten at number eight. However, they were not able to maintain this kind of success, especially as straight punk rock was becoming increasingly passé in the face of the much cooler New Wave movement. However, Harper and the Subs were far stronger than fashion, and the band kept on going stronger than they ever were, releasing album after album and touring with the likes of The Ramones and Agent Orange all throughout the 1980’s.
The band remain cult heroes to this very day, a band who many more famous acts wouldn’t exist without. Guns N’ Roses themselves paid tribute to them on their covers record “The Spaghetti Incident?” with a version of their track “Down On The Farm”. With a back catalogue of tracks that would make any punk band worth their salt green with envy, and a live show that delivers every single time, the U.K Subs come highly recommended.
In opposition to Thatcher’s indulgence of the middle and upper classes, punk metal band GBH arrived in 1978 to voice their concerns and launch their assault on injustice. Adorned in black leather, dyed-blonde mohicans, and an appropriate punk attitude, the band released a pair of demos in 1980 before embarking on their first overseas tour in the early 1980s. GBH’s debut release “City Baby Attacked By Rats” arrived in 1982 offering a no-holds-barred critique of British and European culture. Featuring an assaultive sound of guitar, drums and bass played loud, fast and furiously, the band became pioneers of street punk or UK82 alongside The Exploited, Picture Frame Seduction, and Discharge.
Also in 1982 GBH issued the EPs “No Survivors”, “Sick Boy”, and “Give Me Fire / Man Trap” on Clay Records, which were compiled into a compilation album later that year. The full-length “City Babys Revenge” followed in 1983 earning positive reviews and cementing the group’s reputation as a hard-hitting and politically-focused quartet. A string of studio albums were subsequently released in the ‘80s including 1986’s “Midnight Madness And Beyond”, 1987’s “No Need to Panic”, and 1989’s “A Fridge Too Far”, as well as the EPs “Catch 23 / Hellhole”, “Do What You Do”, “Oh No. It’s GBH Again”, and “Wot a Bargain”. Unlike many of their peers GBH were able to maintain their devoted following by rarely diverging from their street punk sound and style, however adopted speed metal influences on their 1992 album “Church of the Truly Warped”.
The 1996 album “Punk Junkies” followed in 1996, after which GBH enjoyed somewhat of a resurgence in popularity, after fading from view in the early ‘90s. The band’s ninth studio album “Ha Ha” was released in 2002 and was supported by an extensive international world tour like many of its predecessors and drawing huge crowds in doing so. The studio album “Cruel and Unusual” arrived in 2004 on Idol Records, followed by “Perfume and Piss” in 2010.
Discharge were absolutely brilliant last night,my ears were still ringing when I got up next day,all the other bands what I saw on bill were excellent as well,Discharge I highly recommend to go and see,very very good live
Punk is a genre that has been recreated time and time again since the revolution began in the 70s. It has been adapted and changed and merged with genres including pop, rock, grunge and metal. Therefore the fact that London outfit UK Subs can boast to being one of the first street punk bands is a pretty impressive feat.
It is perhaps due to this legacy that vocalist Charlie Harper has remained a constant in the band since its formation in 1976. Their live show is now a piece of history as much as it is a gig as the current quartet attempt to recreate some of the basement intensity of the original punk movement. The fans old and new are completely invested in this mentality and head bang along with hands held high to the likes of 'You Don't Belong' and 'Left For Dead'. Their music is well known as the band remain onstage for over twenty tracks yet the energy never depletes all evening. The punk movement may be a distant memory, but UK Subs are going as strong as ever.
GBH formed way back in 1978 and are considered to be pioneers of English street punk. Although Colin Abrahall and his bandmates are not quite as reckless onstage as they were in their origins, they still have a strong following in the UK, Europe and the States and for anyone who is a fan of the 70's punk revolution, it's a great opportunity to catch a juggernaut still performing live.
Described as a cult classic due to the fact the band never had any commercial hits with either albums or singles, the four musicians swagger around stage as if it were still 1978 and they were 35 years younger. The raspy tones of 'Sick Boy' hardly change through the years and they still pack venues with their pure punk sound, which has not really changed throughout their long discography either.
Audiences are still devout and intently chant back the lyrics to some of the oldest material such as 'Big Women' and encore opener 'Maniac'. The sense of rebellion may not be as appropriate in 2014, yet for the experience of anarchy and the soundtrack to match it, GBH are a solid bet to see that in the modern day.