Concert in your area for Metal, Rock, and Indie & Alt.
The band came together in 1999, having formed in high school, quickly developing their sound and releasing their debut album, "Sounding the Seventh Trumpet" in 2001. Going by their aliases M. Shadows (vocals), Zacky Vengeance (guitar), Synester Gates (guitar, Johnny Christ (bass) and The Reverend, Avenged Sevenfold soon moved from Goodlife Records to the label, Hopeless, beginning work on their second record. Released in 2003, "Waking the Fallen" arrived to critical acclaim, helping to build hype around the band which drew the attention of major label, Warner Bros.
With an aggressive, punk sound that was full of melodic harmonies from their dual guitar attack, their debut for Warner Bros., "City of Evil," was to be their breakthrough album, finding them mainstream success after its June 2005 release. The album peaked at number 30 on Billboard's Top 200, bolstered by the popularity of the single, "Bat Country." The band's success was celebrated after being awarded the award for 'Best New Artist' at the 2006 MTV Video Music Awards.
Avenged Sevenfold quickly returned to the studio to work on their fourth record, the grittier and harder-edged self-titled release, which peaked at number four on the Billboard Top 200 after appearing in October 2007. Three singles from the record also broke into the top five of the UK charts, with the band quickly becoming global stars and embarking on a number of tours in support of the release.
In 2009, Jimmy "The Reverend" Sullivan, the band's long time drummer, tragically died, with the remaining members considering disbanding. However, they continued, finding a replacement in Mike Portnoy, formerly of Dream Theater, releasing "Nightmare" in 2010. It was several years before they returned with a new full length, 2013's "Hail to the King," which again brought them commercial success, reaching the number one spot on the Billboard 200 and the UK Album Chart.
Rising from the ashes of their former band Toxic Parents, Claudio Sanchez (lead vocals) and Travis Stevers (rhythm guitar) experimented with a host of genres influenced by the likes of: Led Zeppelin, Misfits, Pink Floyd, At The Drive-In and Iron Maiden. Originally known as Shabutie, the band released their debut EP “Plan to Take Over the World” in 1999 through Wisteria Records and followed later that year with “The Penelope EP”.
With the new millennia came new direction encapsulated in the release of their third EP “Delirium Trigger” (2000) with many of the tracks based on science fiction comic series Sanchez had been penning, initially known as “The Bag.On.Line Adventures” and later became “The Amory Wars”. It would be these works which would evoke a recurring theme which would inspire future material for the band starting with the name change to Coheed and Cambria after the two main characters.
Having signed with Equal Vision Records, the band went on to release their debut full length album “The Second Stage Turbine Blade” in 2002, taking its concept from the comic series. Later in the year the band connected with a man who take their career to unprecedented heights, Blaze James who would become their manager. Spending the next few years relentlessly touring playing alongside: Linkin Park, The Used, Slipknot, AFI and Trivium unleashed them into the public as they saw their fanbase known as Children of the Fence (another comic reference) increase tenfold.
It was the release of their second album “In Keeping Secrets of Silent Earth: 3” in 2003 which really got the ball rolling. Certifying platinum in the US, it caught the attention of Columbia Records and in 2005 they signed a multi-album deal. Five top 10 albums later, line-up changes, a fine selection of festival appearances across the globe, Coheed and Cambria continue pushing genre divides while remaining true to the very essence of what they’ve created.
Avenged Sevenfold always delivers high energy, blow-your-ear-drums-out performances. If you like loud, you will love an A7X show.
I saw them last summer at the Orion Music Festival and was blown away. A lot of the time at a festival you lose some sound since it is outside, but Avenged Sevenfold must have found a new volume level for their amps, because it was louder than some shows that I have been to in small concert halls!
Lead singer M. Shadows was constantly prowling around the stage, shouting at the audience, and keeping the energy up. A lot of people in the crowd did not seem to be die-hard Avenged Sevenfold fans when the show started (which I guess is not uncommon for large festivals), but within a few minutes, everyone was rocking together. With the heavy guitars and smashing drums, it was hard not to get up and jump around and mosh together.
I think I danced or jumped for the entire show, and I was completely spent afterwards. There never seemed to be a quiet moment to catch my breath, which was exhilarating. I had an absolute blast at this show and would never hesitate to go see these guys again. Their live performance is second to none.
Enigmatic as they might appear, there is plenty to explore in Coheed and Cambria's eclectic catalog of albums with their multi-faceted and diverse delivery. Following a central sci-fi concept, the lyrics tell a broad and interesting story that is just as captivating as the incredible musicianship which exhibits a strong progressive-rock influence, yet can most certainly tone the complexity down at points in favor of more straight-forward rock anthems. The technicality blends so well with a fair amount of accessibility, which makes the best of both of those worlds. With a story so complex and seemingly neverending, Coheed and Cambria manage to suck you into their fictional world comfortably, easily, and very hastily. Their music shines in every aspect, demonstrating an ample amount of creativity that is well-balanced with technical proficiency. However, the fantasy that their lyrics depict is shown full-force with their live show, where you are one with this alternate universe. Everything fictional about their music feels so undeniably real in the presence of the four prog-rockers as they pummel you with an onslaught of flashy solos and riffs, complex drum patterns, and singer Claudio Sanchez's strong vocal delivery that hypnotizes an audience at their show even more than a listener of their albums. The atmosphere becomes so strong as they take hold of the stage and it becomes illuminated with their intense and fitting light show, which ends up becoming a part of the music itself. It goes beyond being a "rock show" and in turn becomes a beautiful and spectacular event.