Concert in your area for Rock, Pop, and Folk & Blues.
Having needed to make a choice between crime, the dole, football, or music, in 1982 four Clydebank High School attendees met and formed Wet Wet Wet. Drummer Tommy Cunningham and bassist Graeme Clark initially met on the school’s bus and soon became friends, shortly afterwards keyboardist Neil Mitchell joined the group, promising to supply keyboards with the money from his paper rounds. In the midst of his training to be a painter and decorator, lead vocalist Mark McLachlan was invited to join the group, followed a year later by Wet Wet Wet’s honourary fifth member Graeme Duffin.
Following two years of practice sessions and honing their songwriting skills, Wet Wet Wet made their debut performance at Glasgow’s Nightmares club. Around this time singer Mark McLachlan altered his stage name to Marti Pellow and the group inked a record deal with Polygram in 1985. With Polygram man Nick Angel as manager, the group issued their debut single “Wishing I Was Lucky” in 1986, which reached No. 7 on the UK Singles Chart. The full-length “Popped In Souled Out” followed in September 1987, spawning the subsequent hits “Sweet Little Mystery”, “Angel Eyes (Home and Away), and “Temptation”. Narrowing missing out on the UK No. 1 Album spot held by Michael Jackson’s “Bad”, the record introduced Wet Wet Wet’s style of pop, rock and jazz to a national audience.
1988 brought with it the band’s first No. 1 hit with a cover of the famous Beatles single “With a Little Help from My Friends”. Subsequently Wet Wet Wet issued the album “The Memphis Sessions”, a collection of songs recorded during their time in the U.S. The band’s official sophomore album “Holding Back the River” arrived in 1989 marked by greater use of string and classical arrangements. Like its predecessor the record peaked at No. 2 on the UK Albums Chart, aided by the hit singles “Sweet Surender”, “Broke Away”, “Hold Back the River”, and “Stay With Me Heartache (Can’t Stand the Night)”.
“High on the Happy Side” appeared in 1992 led by the group’s only self-penned No. 1 single “Goodnight Girl”. The day after the release, under the pseudonym Maggie Pie & The Impostors, the group released the special-edition album “Cloak & Dagger” featuring covers of songs by Elvis Costello, Carole King, Todd Rudgen, and Mose Allison. The greatest hits compilation “End of Part One” was released towards the tail-end of 1993, after which their cover of The Troggs’ single “Love Is All Around” made its way onto the “Four Weddings and a Funeral” soundtrack, greatly exposing the band. The single subsequently maintained its No. 1 Singles position for 15 weeks, paving the way for Wet Wet Wet’s fifth studio album “Picture This” in 1995. Held as one of Britain’s finest soft rock bands, the group released the album “10” in 1997 celebrating their decade atop the charts, followed by “Timeless” in 2007.
From the first piano chords and notes drifting from onstage to the last uproarious cheer from the audience, my experience seeing Wet Wet Wet live was truly phenomenal. Marti Pellow stood front of stage in black, matching his bandmates, pouring his soul into the microphone amidst a haze of fog and orange lights. The audience sang along with him, and he loved it.
During "Temptation," after swishing the microphone back and forth to the hits from the brass, he prompted the audience to sing along with him, and they joined back in, whistling and cheering in the process. One of the best parts of seeing a performance like Wet Wet Wet live is that the audience's energy adds so much to it.
As impressive as Pellow's long, sustained final note in "Temptation" was, it was amplified even more by the fact that the audience cheered and whistled along with him the whole duration of the note. Not only did the audience love Wet Wet Wet, they loved soft rock, and were there to support their love for music.
The large screen behind the band displayed varioius elemental ambient visualizations similar to the old visualizations in music players like Windows Media Player, which helped heighten the performance in a subtle way as well. It was a nice use of technology that didn't upstage Wet Wet Wet, while still adding to the show. Overall, I thoroughly enjoyed Wet Wet Wet live and would reccomend them to any lover of soft rock.
The South formed back in 1988 under the name of 'The Beautiful South' and have still been doing well touring around the UK. They had several hit singles, my favourite one being their song 'Perfect 10' as well as their number 1 single 'A Little Time'. After a successful career, which included 15 million record sales and ten albums, some of the members thought it was time to quit. But not everyone was ready to leave it behind, Dave Hemingway, Ali Wheeler and Paul Heaton decided to carry on and renamed themselves 'The South'. With more members joining their new band they got to work on releasing more singles and touring together, gathering a good group of loyal fans along the way. In 2013 they released their album 'Sweet Refrains' and went on to do another successful UK tour, selling out many venues. Although they lost the beautiful part of them they still have a lot to give, their live shows provide an electric feeling that could get any venue, whether small or large dancing along with them. I can't say their outfits or their songs are particularly modern in my opinion, but their performance, with well-planned lighting and the enthusiasm they have on stage becomes infectious and made me want to hear more even as the last song was finished.