Born in Glen Cove, New York to mother and former dance teacher Tina Douglas and father and former singer Ken-Kaide Thomas Douglas, Ashanti has a creative upbringing. She attended the Bernice Johnson Cultural Arts Centre at a young age where she studied dance including tap, jazz, ballet and hip-hop, and later in her teens began singing regularly at various New York shows.
The singer’s big break came in 2002 when discovered by hit maker Irv Gotti, who teamed Ashanti up with Fat Joe and his single “What’s Luv?” and Ja Rule’s “Always on Time”. The two singles were released simultaneously and led to Ashanti being the first female artist to occupy the top two positions in the chart. Before long she released her debut solo single entitled “Foolish”, which became instantly popular, the single was her biggest to date, spending ten weeks at the top of the Billboard Hot 100.
With the success of her first three singles Ashanti and Irv Gotti’s Murder Inc. record label released Ashanti’s debut album “Ashanti” in April 2002. The album debuted at No. 1 on the Billboard 200 album chart, has been certified triple platinum in the U.S. and catapulted the singer to a mainstream world of magazines covers and publicity. Before the end of 2002 Gotti produced a remix of “Foolish” with the Notorious B.I.G. which again hit the charts and represented Ashanti’s domination of the R&B world in 2002.
Her follow-up “Chapter II” in 2003 saw the singer reach the top of the charts once again, largely due to the success of the lead single “Rock wit U (Awww Baby)”. However due to Irv Gotti’s Murder Inc. label coming under some intense scrutiny by the FBI and a feud with 50 Cent’s G-Unit the album got ignored somewhat. The same year the singer released her first Christmas album entitled “Ashanti’s Christmas” and her third full-length LP “Concrete Rose” came a year later in 2004 with the lead single “Only U”.
In 2005 Ashanti made her acting debut in the film “Coach Carter” which opened at No. 1 at the U.S. box office. In 2008 came her fourth studio album “The Declaration” which unlike her debut album which she wrote the majority-of herself, Ashanti enlisted the help of Akon, Babyface and Mario Winans in production. The album debuted at No. 6 in the albums chart led by singles “The Way That I Love You” and “Good Good”.
After a time focusing on her acting and musical appearances including staring as Dorothy in a stage production of “The Wiz”, Ashanti released her fifth album “Braveheart” in March 2014, two years after its initial single was released.
Born on 18 November, 1977, Jackson was musical from a young age. His career actually began in high school in the 90s when he was spotted as a rapper an subsequently signed by the DJ Clue to his record label Desert Storm, which led to Fabolous being secured a deal with heavyweights Elektra records. Fabolous has since signed with giants Atlantic Records and, in present day, is signed with the label Def Jam whilst simultaneously founding his own record label, Street Family.
Fabolous’ first album was released in 2001 and was named ‘Ghetto Fabolous’ in an attempt at clever word-play. Despite the name, the album spawned a number of big hits including singles ‘Can’t Deny it’ and ‘Young’n (Holla Back)’. This provided the platform for Fabolous’ career to take off. His next album was 2003’s ‘Sweet Dreams’ and produced two top ten singles, ‘Can’t Let You Go’ and ‘Into You’. Besides these, Fabolous has released a whole stream of successful singles and has collaborated with a number of high profile artists such as Lil’ Mo, Christina Milian, Trey Songz and Hollywood legend turned part time rapper Jamie Foxx. Fabolous has a handful of albums under various record labels to date and has enjoyed enormous success from them all.
Two of the biggest R&B/pop crossovers of the early noughties came from Ashanti; her collaborations on ‘What’s Luv’? with Fat Joe and ‘Always on Time’ with Ja Rule would lead to the latter describing her as “the new princess of hip hop and R&B.” Signing to Murder Inc. Records after being spotted by label boss Irv Gotti, she was seen as crucial to their strategy for crosing over into the mainstream. Her self-titled debut record was a huge success, selling six million copies worldwide and spawning hit singles including ‘Foolish’ and ‘Happy’. Since then, though, Ashanti’s struggled to replicate that success; follow-ups Chapter II and Concrete Rose struggled, primarily because of the lack of a big single (although I maintain that the Jay Z-sampling ‘Rain on Me’ from the former is one of her finest moments). With her first record in six years, Braveheart, meeting with a strong critical response and cracking the U.S. top ten earlier this year, though, she might well be poised for a comeback; she’s back out on the live circuit with a full band, with a couple of well-received UK shows late last year setting the stage for a more high-profile return to these shores - expect Murder Inc.-era classics as well as a slew of new material.
It really brought me back to high school to see Fabolous in person, and I couldn’t have been any happier. The venue was FLUXX in San Diego, California, a small nightclub, and it was amazing being close enough to Fabolous to touch him.
The rest of the club seemed to appreciate being in such an intimate setting with Fabolous as well, as the house was rocking and the alcohol was flowing all night long. Fabolous played all of the classics for us fans, including Can’t Let You Go, Make Me Better, Throw It in the Bag, and Air. The atmosphere was electric, and it was some of the most fun I’ve had dancing, ever.
Fabolous was great about getting the crowd involved and the crowd sang along with all of the hooks, which is always fun. Since I hadn’t really listened to his music in the last couple of years, there was a lot of material that was new to me (and some that was actually new, as he’s got an album coming out) and I’m sure that if I see him in 10 years, those songs will be getting the classic treatment then. I highly recommend seeing Fabolous in person for a great time.